I recently moved house and during the move my modified Canon 6D "went missing" I used the Canon almost exclusively for Astrophotography especially wide field (13 mm to 200 mm lens and WO Z61) work at Bortle 4 or better sites. I have an ASI 2600 MM Pro that I use at home under Bortle 7 skies for RGB and Narrow band work. I'm delighted with the 2600 MM Pro and amazed at how much better it is than the STL11000 I used to own - I'm guessing much of that is about the QE and read noise!
I'm looking to replace the Canon 6D but given that I'm only going to use the replacement for astrophotography I'm leaning towards another dedicated CMOS camera. But that's going to be a lot more than the $1000 I spent on a modified 6D so of course I'm wanting value for money, a camera that I can also use in the back yard rather than just the four or five times a year at a dark site. Essentially running two rigs or a side by side. The question is color or mono? Given that as far as I am aware one can't use Canon EF lenses with either the ASI2600 MM Pro or 62000 MM Pro if you want to insert RGB filters, I'm leaning towards color so I can use my camera lenses. My worry is the impact of light pollution on the color CMOS camera. Any thoughts/experience on how well the color CMOS will work at Bortle 7 with an Optolong L Pro and L Extreme.
Many Thanks.
John
I'm looking to replace the Canon 6D but given that I'm only going to use the replacement for astrophotography I'm leaning towards another dedicated CMOS camera. But that's going to be a lot more than the $1000 I spent on a modified 6D so of course I'm wanting value for money, a camera that I can also use in the back yard rather than just the four or five times a year at a dark site. Essentially running two rigs or a side by side. The question is color or mono? Given that as far as I am aware one can't use Canon EF lenses with either the ASI2600 MM Pro or 62000 MM Pro if you want to insert RGB filters, I'm leaning towards color so I can use my camera lenses. My worry is the impact of light pollution on the color CMOS camera. Any thoughts/experience on how well the color CMOS will work at Bortle 7 with an Optolong L Pro and L Extreme.
Many Thanks.
John