Hi, I have a zwo 482 camera which is only camera I can afford at the moment I use it with the asiair, could I create a library of darks with this camera and also can the temperature be a few degrees?
A couple of degrees shouldn't matter too much.
You can create a library, but you may have to create several master darks to match different temperatures, it depends on how stable the ambient temps are in your location.
Yes, do one set and if the temperature changes more than a few degrees from one night to another, make a new one. Chances are you will be covered before too long. The camera still record temps, so should be easy enough to keep track![]()
Then you just pick the one that is within a couple degrees when you need them.
Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
Connor Bradley:Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
The way I see it is the only time darks is big issue is theirs a huge difference in temperature between summer and winter in the UK so I may need new darks for summer anyway, not like I do much imaging in summer anyway as theirs only like 2 hours of true darkness anyway.
Arun H:Connor Bradley:Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
The way I see it is the only time darks is big issue is theirs a huge difference in temperature between summer and winter in the UK so I may need new darks for summer anyway, not like I do much imaging in summer anyway as theirs only like 2 hours of true darkness anyway.
Keep in mind that dark current varies exponentially with temperature. So, for example for the 2600 MC Pro, a 5 C temperature difference doubles the dark current. The purpose of dark frame subtraction is to eliminate mean/baseline dark current response differences between pixels that are additive in nature. And dark frame subtraction actually increases random noise, though this is a small contribution compared to other sources of noise and benefits of mean dark current subtraction usually outweigh the downsides of the addition of a small amount of random noise. But this is only true if the darks match lights in time and temperature.
Arun H:Connor Bradley:Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
The way I see it is the only time darks is big issue is theirs a huge difference in temperature between summer and winter in the UK so I may need new darks for summer anyway, not like I do much imaging in summer anyway as theirs only like 2 hours of true darkness anyway.
Keep in mind that dark current varies exponentially with temperature. So, for example for the 2600 MC Pro, a 5 C temperature difference doubles the dark current. The purpose of dark frame subtraction is to eliminate mean/baseline dark current response differences between pixels that are additive in nature. And dark frame subtraction actually increases random noise, though this is a small contribution compared to other sources of noise and benefits of mean dark current subtraction usually outweigh the downsides of the addition of a small amount of random noise. But this is only true if the darks match lights in time and temperature.
Connor Bradley:Arun H:Connor Bradley:Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
The way I see it is the only time darks is big issue is theirs a huge difference in temperature between summer and winter in the UK so I may need new darks for summer anyway, not like I do much imaging in summer anyway as theirs only like 2 hours of true darkness anyway.
Keep in mind that dark current varies exponentially with temperature. So, for example for the 2600 MC Pro, a 5 C temperature difference doubles the dark current. The purpose of dark frame subtraction is to eliminate mean/baseline dark current response differences between pixels that are additive in nature. And dark frame subtraction actually increases random noise, though this is a small contribution compared to other sources of noise and benefits of mean dark current subtraction usually outweigh the downsides of the addition of a small amount of random noise. But this is only true if the darks match lights in time and temperature.
Does temperature of darks matter for eaa? If you're just live stacking and not bothering processing or restacking the data?Arun H:Connor Bradley:Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
The way I see it is the only time darks is big issue is theirs a huge difference in temperature between summer and winter in the UK so I may need new darks for summer anyway, not like I do much imaging in summer anyway as theirs only like 2 hours of true darkness anyway.
Keep in mind that dark current varies exponentially with temperature. So, for example for the 2600 MC Pro, a 5 C temperature difference doubles the dark current. The purpose of dark frame subtraction is to eliminate mean/baseline dark current response differences between pixels that are additive in nature. And dark frame subtraction actually increases random noise, though this is a small contribution compared to other sources of noise and benefits of mean dark current subtraction usually outweigh the downsides of the addition of a small amount of random noise. But this is only true if the darks match lights in time and temperature.
Connor Bradley:Arun H:Connor Bradley:Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
The way I see it is the only time darks is big issue is theirs a huge difference in temperature between summer and winter in the UK so I may need new darks for summer anyway, not like I do much imaging in summer anyway as theirs only like 2 hours of true darkness anyway.
Keep in mind that dark current varies exponentially with temperature. So, for example for the 2600 MC Pro, a 5 C temperature difference doubles the dark current. The purpose of dark frame subtraction is to eliminate mean/baseline dark current response differences between pixels that are additive in nature. And dark frame subtraction actually increases random noise, though this is a small contribution compared to other sources of noise and benefits of mean dark current subtraction usually outweigh the downsides of the addition of a small amount of random noise. But this is only true if the darks match lights in time and temperature.
Does temperature of darks matter for eaa? If you're just live stacking and not bothering processing or restacking the data?Arun H:Connor Bradley:Something along those lines. Delete the dark single exposures and keep the master file, then make new ones if the read temp suggests so. I think 1-2 degrees is neglible at least. Maybe even more. But yeah, if ambient temps are stable you should be covered relatively quickly.
The way I see it is the only time darks is big issue is theirs a huge difference in temperature between summer and winter in the UK so I may need new darks for summer anyway, not like I do much imaging in summer anyway as theirs only like 2 hours of true darkness anyway.
Keep in mind that dark current varies exponentially with temperature. So, for example for the 2600 MC Pro, a 5 C temperature difference doubles the dark current. The purpose of dark frame subtraction is to eliminate mean/baseline dark current response differences between pixels that are additive in nature. And dark frame subtraction actually increases random noise, though this is a small contribution compared to other sources of noise and benefits of mean dark current subtraction usually outweigh the downsides of the addition of a small amount of random noise. But this is only true if the darks match lights in time and temperature.
Those cameras record sensor temperature so it is not so difficult to create dark library with master darks for every 5 degrees or whatever granularity you are happy with and then match them with your lights. Just tedious.
In EAA you cannot do that and in my opinion it would be completely pointless. You are not after faint detail there. You are after things at least ten times brighter than whatever noise is there. And subs are short, meaning dark current does not reach significant levels.
It is more akin to planetary (where the camera excels). And dark current is almost never considered there.