Gonna pile on to the all-in-one-night crowd because you want consistent seeing and gradients in all your frames. This becomes more and more important the closer your target is to the horizon. You also need to strike a balance between efficient use of time and how little variation you want between panels. You could, for example spend one hour per panel before switching, but that might be too long given a particular scenario. The flip side is that you bounce back and forth every 10 minutes, but that is a lot of time lost to slewing, plate solving, and focusing again.
Generally speaking, the closer your target is to the horizon the less time you want to spend on each panel before switching.