Like I said in my original message there is a difference between using a sensor without the relatively restrictive IR cut window normally integrated in every general purpose camera and using a sensor with a Ha filter which is the recommended way to image Ha targets. You do get a lot of red when the sensor is without the filter but it is not just Ha, it is the entire spectrum of red things above 600nm or so (where the stock window starts cutting) plus a great deal of near infrared.
Will things look spectacularly redder? Absolutely.
Will that be Ha detail? Extremely doubtful.
Ha is but a tiny line, less than a percent of the extra red that you are now more sensitive to. The stuff that is 1nm to the right of Ha in the spectrum for instance and the stuff 1 nm to the right of that and pretty much everything else all the way up to 700nm? It is
guaranteed that the camera's sensitivity to those increased more than it did to Ha. And they all look red.
I have taken two pictures of the Lagoon. One is with a stock DSLR:
https://www.astrobin.com/413954/?nc=userThe other is 4 hours of OSC to which I added 4 hours of L with a mono sensor. Both cameras have better response to red than the D7500 because the ZWO IR filters cut at 700nm, almost 50nm above the Ha line. 4 times better in the mono sensor's case.
https://www.astrobin.com/9y4s1j/?nc=userIgnore the fact that the detail is better (different scopes, different integration times, guiding). The thing is the clear separation between the blueish core of the Lagoon and the pink periphery which was captured perfectly by the stock DSLR, is almost completely gone in the second picture where all colours are shifted towards red and that was after very painful post processing to make the parts that are supposed to be blue appear at least a little purple. I was actually quite disappointed at the second picture from a chromatic point of view.
if you remove the effect of the IR cut window then the difference between OSC and DSLR is a matter of chance, because OSC astrocam sensors do not have any magic properties. They are the same sensors that you see in mobile phones, security cameras, action cams and of course DSLR and mirrorless general purpose cameras. For example Sony A7 R IV and ZWO ASI 6200MC use the same sensor (IMX455) and so do ASI 2600MC and Pentax K-3 mark III (IMX 571).
Assuming the sensors have similar tech (i.e. are not separated by a decade) it is the window and only the window that has a serious impact on spectral response. And there is a good reason stock DSLRs have that window, namely it makes it easier to obtain a natural (to the human eye) color balance.
Cheers,
Dimitris